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    <title>Jason Hamsher — Audio Tech</title>
    <link>https://jasonhamsher.com/audio-tech</link>
    <description>Recording, audio equipment, and sound-system guides from Jason Hamsher.</description>
    <language>en-us</language>
    <item>
      <title>What Does a DI Box Do? It Fixes the Signal Path Before the Mixer</title>
      <link>https://jasonhamsher.com/articles/what-does-a-di-box-do</link>
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      <description>A DI box converts an instrument signal into a balanced mic-level feed for a mixer or interface. It is useful for distance, impedance, and some hum problems.</description>
      <pubDate>Tue, 15 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>Closed-Back or Open-Back Headphones? Tracking and Mixing Need Different Things</title>
      <link>https://jasonhamsher.com/articles/closed-back-vs-open-back-headphones-tracking</link>
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      <description>Closed-back headphones keep a click and backing track out of the microphone. Open-back designs can feel more natural for critical listening but leak sound.</description>
      <pubDate>Sat, 12 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>44.1 or 48 kHz? Choose the Sample Rate for the Delivery</title>
      <link>https://jasonhamsher.com/articles/44-1-vs-48khz-sample-rate-bit-depth</link>
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      <description>44.1 kHz and 48 kHz both cover ordinary music work. Choose based on the destination, keep the project consistent, and use 24-bit for recording headroom.</description>
      <pubDate>Thu, 10 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>Audio Buffer Size: Lower for Recording, Higher for Mixing</title>
      <link>https://jasonhamsher.com/articles/audio-buffer-size-latency-recording-vs-mixing</link>
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      <description>Buffer size trades monitoring delay against computer workload. Use a small buffer for live input and a larger one when the session needs processing power.</description>
      <pubDate>Tue, 08 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>How Many Audio-Interface Inputs Do You Need? Count the Take, Not the Gear</title>
      <link>https://jasonhamsher.com/articles/how-many-audio-interface-inputs-do-you-need</link>
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      <description>Interface input counts should follow the sources you record at the same time. Count microphones, stereo outputs, and future sessions before buying.</description>
      <pubDate>Sat, 05 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>What 48V Phantom Power Does — and When to Leave It Off</title>
      <link>https://jasonhamsher.com/articles/phantom-power-48v-explained</link>
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      <description>Phantom power supplies some microphones through the cable. Understand the balanced connection, the exceptions, and the safe order for switching it.</description>
      <pubDate>Thu, 03 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>Balanced or Unbalanced Audio Cables? The Cable Is Not the Whole Answer</title>
      <link>https://jasonhamsher.com/articles/balanced-vs-unbalanced-audio-cables</link>
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      <description>Match the source, destination, and signal type before choosing a balanced connection, unbalanced cable, or DI box. A TRS plug alone doesn&apos;t tell you the job.</description>
      <pubDate>Tue, 01 Sep 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>USB Microphone or XLR Microphone With an Interface? Decide What You Will Add Later</title>
      <link>https://jasonhamsher.com/articles/usb-mic-vs-xlr-interface</link>
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      <description>A USB microphone is simpler to start with. An XLR microphone and interface make expansion easier. The right choice depends on where the setup is going.</description>
      <pubDate>Sat, 29 Aug 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>Dynamic or Condenser Microphone? Start With Placement, Pattern, and Power</title>
      <link>https://jasonhamsher.com/articles/dynamic-vs-condenser-microphone-choice</link>
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      <description>Electrical sensitivity does not make a microphone reject a room. Choose for a useful working distance, pickup pattern, and recording-chain requirements.</description>
      <pubDate>Thu, 27 Aug 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>Gain Staging: Why Turning Up the Fader Does Not Fix a Weak Recording</title>
      <link>https://jasonhamsher.com/articles/gain-staging-why-turning-up-the-fader-doesnt-fix-it</link>
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      <description>Input gain and track volume do different jobs. Set the signal correctly at the source, then use the fader to balance the mix.</description>
      <pubDate>Tue, 25 Aug 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
    </item>
    <item>
      <title>Studio Monitors or Headphones First? Start With the Room You Can Actually Use</title>
      <link>https://jasonhamsher.com/articles/studio-monitors-vs-headphones-mixing</link>
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      <description>Headphones avoid room reflections, but they are not a perfect mixing reference. Choose a first listening setup around noise, speaker placement, and the work you need to do.</description>
      <pubDate>Wed, 12 Aug 2026 00:00:00 GMT</pubDate>
      <category>Audio &amp; Presentation Tech</category>
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